Autor Tópico: Žižuku - jogo de inventar lero-lero filosófico interpretando algo como paradoxal  (Lida 617 vezes)

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Žižuku seems simple, but in fact it is supremely complicated.
November 17, 2012 12:42 PM    Subscribe

Let’s play Žižuku! Vaguely similar in theory to the Postmodern Text Generator, but practiced individually, rather than Markov-chain-generated text. The creator, Julian Baggini, describes Žižuku thus: "The rules are simple: pick on any widely received idea and find the most clever-sounding way to invert it, so as to create a paradox, or at least the semblance of one."

http://www.metafilter.com/121952/iuku-seems-simple-but-in-fact-it-is-supremely-complicated

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[...]And funnily enough given that Baggini seems to think it's a way of parodying Žižek: the man himself is on record laying out the rules of pretty much this exact "game," but in order to critique it as a form (or actually the form) of ideology. This is from Žižek's essay"The Spectre of Ideology," in Mapping Ideology:
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Let us suppose that at some political meeting or academic conference, we are expected to pronounce some profound thoughts on the sad plight of the homeless in our big cities, yet we have absolutely no idea of their actual problems — the way to save face is to produce the effect of 'depth' by means of a purely formal inversion: 'Today, one hears and reads a lot about the plight of the homeless in our cities, about their hardship and distress. Perhaps, however, this distress, deplorable as it may be, is ultimately just a sign of some far deeper distress — of the fact that modern man no longer has a proper dwelling, that he is more and more a stranger in his own world. Even if we constructed enough new buildings to house all homeless people, the true distress would perhaps be even greater. The essence of homelessness is the homelessness of the essence itself; it resides in the fact that, in our world thrown out of joint by the frenetic search for empty pleasures, there is no home, no proper dwelling, for the truly essential dimension of man.'

This formal matrix can be applied to an infinite multitude of themes — say, distance and proximity: 'Today, modern media can bring events from the farthest part of our earth, even from nearby planets, close to us in a split second. Does not this very all-pervasive proximity, however, remove us from the authentic dimension of human existence? Is not the essence of man more distant from us than ever today?' Or the recurrent motif of danger: 'Today, one hears and reads a lot about how the very survival of the human race is threatened by the prospect of ecological catastrophe (the disappearing ozone layer, the greenhouse effect, etc.). The true danger, however, lies elsewhere: what is ultimately threatened is the very essence of man. As we endeavour to prevent the impending ecological catastrophe with newer and newer technological solutions ('environment-friendly' aerosols, unleaded petrol, etc.), we are in fact simply adding fuel to the flames, and thus aggravating the threat to the spiritual essence of man, which cannot be reduced to a technological animal.'

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