Eu jubilo uma tarde fria e chuvosa, debaixo das cobertas, com uma enorme bacia de pipoca, lendo "Alice no país das maravilhas" para minha filhotinha, regada a coca-cola. 
Que coisa legal Luz. Nessas horas eu lembro porque não gosto de ficar sozinha, e não pretendo ter um futuro semelhante com a minha atual realidade 
Muito legal, Dani!
Parece algo tão simples e, na verdade, é, mas é tão fantástico!
Eu jubilo uma tarde fria e chuvosa, debaixo das cobertas, com uma enorme bacia de pipoca, lendo "Alice no país das maravilhas" para minha filhotinha, regada a coca-cola.
Alice não é aquele livro escrito por um pedófilo viciado em ácido lisergico?
Sinceramente, não sei.
"The Carroll Myth"
The accepted view of Dodgson's biography — and most particularly his image as a potential paedophile — has received a challenge in quite recent times, when a loosely knit group of scholars led by Hugues Lebailly and Karoline Leach have set out to look past the received image of Carroll and base their research on the neglected primary sources. A new and controversial analysis of Dodgson's sexual proclivities (and indeed the evolution of the entire process of his biography) appeared in Karoline Leach's 1999 book In the Shadow of the Dreamchild. She states that the image of Dodgson's alleged paedophilia was built out of a failure to understand Victorian morals, as well as the mistaken idea that Dodgson had no interest in adult women, which evolved out of the minds of various biographers. She termed this simplified — and often, in her view, fictional — image "the Carroll Myth".
The researches of Lebailly and Leach, among others, have shown Dodgson's real life to be very different from the accepted biographical image. His diaries and letters reveal him, while fond of children, to have been very far from exclusively interested in them; he was also keenly interested in adult women, married and single, and enjoyed several daring and indeed (in the social mores of his time) scandalous relationships with them - many of those he described as "child-friends" were not children at all, but girls in their late teens and even twenties.[23] Examples of such adult friendships inculde Catherine Lloyd, Constance Burch, May Miller, Edith Shute, Ethel Rowell, Beatrice Hatch and Gertrude Thomson, among many others. Some of these were girls he met as children but continued to be close to in adulthood. Others were women he met as adults and with whom he shared very close and meaningful friendships. Suggestions of paedophilia only evolved many years after his death, when his well-meaning family had suppressed all evidence of his adult friendships in order to try to preserve his reputation, thus giving a false impression of a man interested only in little girls.
As shown by Leach the image of "Lewis Carroll" was constructed almost accidentally by generations of biographers. One of these, Langford Reed, writing in 1932, was the first to state that many of Carroll's female friendships ended when the girls reached the age of 14,[24] though Reed apparently only intended to suggest that Dodgson was thereby a "pure man" untainted by sexual desire.[25] This statement, that Dodgson lost interest in girls once they reached puberty, was later caught up by other biographers, including Florence Becker Lennon (Victoria Through the Looking-Glass — UK title "Lewis Carroll", 1945) and the highly influential Alexander Taylor (The White Knight, 1952) who remained unaware of the evidence to the contrary since Dodgson's family refused to publish his diaries and letters. By the time more evidence became available, this image was so ingrained that any revision seemed "unnecessary, even impertinent",[26] and thus a supposed biography was preserved.
Since the publication of Leach's book and Lebailly's early articles they have been joined by a group of supportive scholars and writers in the formation of Contrariwise, an "association for new Lewis Carroll studies". The group argues collectively that a powerful mythology has grossly distorted our understanding of Dodgson's true nature, and that considered in the context of his real life — as opposed to the misconceptions of it — and the fashions and mores of his time, many aspects of the received image of Dodgson (including assertions of paedophilia) become nonsensical and amount to a failure to understand the complexity of Dodgson's character, as well as the Victorian "Cult of the Child".Fonte: mais sobre o autor, se interessar.E Wagner era um proto-nazista safado, o que não invalida a obra dele, de uma beleza sublime
Não consegui encontrar nenhuma referência a esses pontos, mas de fato, não invalida sua obra, inteligência e habilidade e não apenas como escritor.
Tão pouco invalida minha tarde com a baixinha no "país das maravilhas".
